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Cultural depictions of Belshazzar

From Wikipedia, the free encyclopedia

Belshazzar's Feast by Rembrandt, c. 1635

Belshazzar (6th century BC), son of the last king of the Neo-Babylonian empire, Nabonidus, has inspired many works of art and cultural allusions, often with a religious motif. While a historical figure, depictions and portrayals of him are most often based on his appearance in the biblical story of Belshazzar's feast in the Book of Daniel. This story is the origin of the idiomatic expression "the writing is on the wall".

The writing is on the wall

In chapter 5 in the Book of Daniel, a hand writes Hebrew letters on a wall, which Daniel interprets as "Mene, mene, tekel, upharsin". These words mean that Belshazzar is doomed. The phrase "The writing is on the wall", or "The writing on the wall", has become a idiomatic expression referring to the foreshadowing of any impending doom, misfortune, or end. If "the writing is on the wall" something bad is about to happen. A person who does not or refuses to see "the writing on the wall" is being described as ignorant to the signs of a cataclysmic event that will likely occur in the near future.[1][2]

One of the earliest known uses of the phrase in English is in the writings of a Captain L. Brinckmair in 1638, during the Thirty Years' War. Brinckmair writes: "Remarkable Prodigies..are in themselves like the writing on the Wall in Beshazzars Palace, which Sooth-sayers, Astrologians, and Chaldeans could neither understand nor reade’."[3]

Music

George Frideric Handel wrote the oratorio Belshazzar in 1744

Theatre and literature

Belshazzar had a letter—
He never had but one—
Belshazzar's Correspondent
Concluded and begun
In that immortal Copy
The Conscience of us all
Can read without its Glasses
On revelation's wall—
Emily Dickinson, 1879

Visual arts

The Royal Feast of Belshazzar Blaine and the Money Kings (1884)

Film

Alfred Paget as Belshazzar.

References

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This page was last edited on 21 April 2024, at 16:23
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