Damià Campeny | |
|---|---|
 Damià Campeny; portrait by Vicenç Rodes (C.1838) | |
| Born | Damià Campeny i Estrany 12 April 1771 |
| Died | 17 July 1855 (aged 84) |
| Nationality | Spanish |
| Known for | Sculpture |
| Movement | Classicism |
Damià Campeny i Estrany (12 April 1771, Mataró - 17 July 1855, Barcelona) was a Spanish sculptor in the Classical style.[1]
Biography
He was born to the shoemaker, Andreu Campeny, and his wife Casilda. His first studies were at a private Catholic school.[2] After completing his primary education, he studied at the Escola de la Llotja in Barcelona. He was also employed in the workshops of the sculptor, Salvador Gurri i Corominas and, later, worked with Nicolau Travé. He then opened his own studio; receiving commissions for religious sculptures from several local parishes.
In 1797, he was awarded a stipend from the Board of Trade, to continue his studies in Rome. There, he became acquainted with the famous sculptor, Antonio Canova, and spent eighteen years at the Vatican workshops, creating sculptures on mythological themes; such as Hercules and Neptune.[3] Many of his works were sent back home, to the Board of Trade.
When he returned to Barcelona, he became a Professor at his alma mater, the Escola, and was named Director of the sculpture department in 1819. He was also offered a Professorship at the Real Academia de Bellas Artes de San Fernando, which he declined, and a position as Court Sculptor for King Ferdinand VII, which he accepted. His other appointments include that of Academician at the Escola de Sant Lluís, in Zaragoza, and the Real Academia de Bellas Artes de San Carlos de Valencia. He became one of the first teachers at what is now the Reial Acadèmia Catalana de Belles Arts de Sant Jordi in 1850, despite questions about his age and health.
Numerous disputes regarding his salary, and payments for his sculptures, left him in near poverty. His health worsened and he died, from "senile dysentery", at his home in Sant Gervasi de Cassoles, now part of Barcelona.[2]
His works may be found at MNAC, the Reial Acadèmia Catalana de Belles Arts de Sant Jordi, and the Biblioteca Museu Víctor Balaguer in Vilanova i la Geltrú, among others. In 1999, a retrospective was held at the Museu Frederic Marès.[4]
Selected works
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![Fountain of the Elder [ca] (1818)](/wikipedia/commons/thumb/6/6d/140_Font_del_Vell%2C_de_Dami%C3%A0_Campeny%2C_pl._Sants.jpg/400px-140_Font_del_Vell%2C_de_Dami%C3%A0_Campeny%2C_pl._Sants.jpg)
Fountain of the Elder (1818) -
Peace (1827) -
The Fountain of Neptune (1832), Igualada -
The Death of Lucretia (1833) -
Almogavar Killing a French Horseman (1836)
References
- ^ "Damià Campeny i Estany". Gran Enciclopèdia Catalana. Enciclopèdia Catalana. (in Catalan)
- ^ a b Joan Francesc Clariana Roig, Presència d'un mataroní oblidat: Damià Campeny a la nostra ciutat, Grup Història Mataró, 2013 (Online)
- ^ Vides catalanes que han fet història, Edicions 62, 2020 ISBN 978-84-297-7884-7
- ^ LA TAULA DE L'AMBAIXADOR: El triomf de taula de Damià Campeny, Museu Frederic Marès, (Online)
Further reading
- Carlos Cid Priego, La vida y la obra del escultor neoclásico catalán Damià Campeny i Estrany, Biblioteca de Catalunya-Caixa Laietana, 1998 ISBN 978-84-7845-129-6
External links
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This page was last edited on 21 April 2024, at 17:44