Florence Vidor | |
|---|---|
 Vidor, 1920 | |
| Born | Florence Cobb July 23, 1895 Houston, Texas, U.S. |
| Died | November 3, 1977 (aged 82) |
| Nationality | American |
| Occupation | Actress |
| Years active | 1916–1929 |
| Spouses | |
| Children | 3 |
Florence Vidor (née Cobb, later Arto; July 23, 1895 – November 3, 1977) was an American silent film actress.
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Early life
Vidor was born in Houston[1] on July 23, 1895,[2] to John and Ida Cobb. Her parents had married in Houston on March 3, 1894, but divorced only three years later.[3] Ida remained in Houston and soon married John P. Arto, a real estate man who later served as deputy chief of the city's fire department.
Career
Florence Vidor started working in silent movies through the influence of her husband, film director King Vidor, whom she had married in 1915. She signed her first contract with Vitagraph Studios in 1916. Her early fame was due to her role in the 1921 film Hail the Woman. Throughout the 1920s, she was a major box office attraction for Paramount Pictures. Her career ended with the advent of sound films. In 1929 she became so frustrated by the difficulties of making the partial sound film Chinatown Nights that she retired from acting before the production was completed. Director William A. Wellman had to use a voice double to complete some of her scenes.[4]
Personal life and death
Florence and King Vidor divorced in 1924.[citation needed] They had a daughter, Suzanne.[5] Despite the end of their marriage, Florence continued to use Vidor as her surname.
Vidor married classical violinist Jascha Heifetz on August 20, 1928, in New York City.[5] They had two children together[6] and Heifetz also adopted Suzanne before divorcing in 1945.
On November 3, 1977, Vidor died at her home in Pacific Palisades, California, aged 82.[1]
Selected filmography
- Bill Peter's Kid (1916, Short) - (uncredited)
- Curfew at Simpton Center (1916, Short)
- The Yellow Girl (1916, Short) - Flora
- The Intrigue (1916) - Pseudo Countess Sonia
- A Tale of Two Cities (1917) - Mimi
- American Methods (1917) - Betty Armstrong
- The Cook of Canyon Camp (1917, Lost film) - Mrs. Jack
- Hashimura Togo (1917) - Corinne Reynolds
- The Countess Charming (1917) - Betty Lovering
- The Secret Game (1917) - Kitty Little
- The Widow's Might (1918, Lost film) - Irene Stuart
- The Hidden Pearls (1918) - Enid Benton
- The Honor of His House (1918) - Lora Horning
- The White Man's Law (1918) - Maida Verne
- Old Wives for New (1918) - Juliet Raeburn
- The Bravest Way (1918) - Nume Rogers
- Till I Come Back to You (1918) - Yvonne
- A Heart in Pawn (1919) - Dr. Stone's daughter
- The Other Half (1919) - Katherine Boone
- Poor Relations (1919) - Dorothy Perkins
- The Family Honor (1920) - Beverly Tucker
- The Jack-Knife Man (1920) - Mrs. Marcia Montgomery
- Lying Lips (1921) - Nancy Abbott
- Beau Revel (1921) - Nellie Steel
- Hail the Woman (1921) - Judith Beresford
- Woman, Wake Up (1922, Lost film) - Anne
- The Real Adventure (1922) - Rose Stanton
- Dusk to Dawn (1922, Undetermined / presumed Lost) - Marjorie Latham / Aziza
- Skin Deep (1922) - Ethel Carter
- Conquering the Woman (1922) - Judith Stafford
- Souls for Sale (1923) - Himself (uncredited)
- Alice Adams (1923) - Alice Adams
- Main Street (1923, Lost film) - Carol Milford
- The Virginian (1923) - Molly Wood (Woods in credits)
- The Marriage Circle (1924) - Charlotte Braun
- Borrowed Husbands (1924, Lost film) - Nancy Burrard
- Welcome Stranger (1924, Lost film) - Mary Clark
- Barbara Frietchie (1924) - Barbara Frietchie
- Christine of the Hungry Heart (1924) - Christine Madison
- Husbands and Lovers (1924) - Grace Livingston
- The Mirage (1924, Lost film) - Irene Martin
- The Girl of Gold (1925) - Helen Merrimore
- Are Parents People? (1925) - Mrs. Hazlitt
- Grounds for Divorce (1925, Incomplete, missing third reel) - Alice Sorbier
- Marry Me (1925) - Hetty Gandy
- The Trouble with Wives (1925, Lost film) - Grace Hyatt
- The Enchanted Hill (1926, Lost film) - Gail Ormsby
- The Grand Duchess and the Waiter (1926) - The Grand Duchess Zenia
- Sea Horses (1926, Lost film) - Helen Salvia
- You Never Know Women (1926) - Vera
- The Eagle of the Sea (1926, Incomplete film) - Louise Lestron
- The Popular Sin (1926, Lost film) - Yvonne Montfort
- Afraid to Love (1927, Lost film) - Katherine Silverton
- The World at Her Feet (1927, Lost film) - Jane Randall
- One Woman to Another (1927, Lost film) - Rita Farrell
- Honeymoon Hate (1927, Lost film) - Gail Grant
- Doomsday (1928) - Mary Viner
- The Magnificent Flirt (1928, Lost film) - Mme. Florence Laverne
- The Patriot (1928, Lost film, only one reel exists) - Countess Ostermann
- Chinatown Nights (1929) - Joan Fry (final film role)
References
- ^ a b "Florence Vidor, 82, A Silent-Film Star, Is Dead on Coast". The New York Times. November 6, 1977. p. 44. Retrieved December 18, 2021.
- ^ Wing, Ruth (1924). The Blue Book of the Screen. Blue Book of the Screen, Incorporated. pp. 256–257. Retrieved December 18, 2021.
- ^ Houston Post, 15 June 1897, p. 6
- ^ Eyman, Scott. The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930. New York: Simon and Schuster, 1997.
- ^ a b "Jascha Heifetz Is Wed to Florence Vidor; Quietly Married Film Star Here on Aug. 20". The New York Times. August 28, 1928. p. 1. Retrieved December 18, 2021.
- ^ "Heifetz sues for divorce". The New York Times. United Press. December 28, 1945. p. 20. Retrieved December 18, 2021.
External links
- Florence Vidor at IMDb
- Florence Vidor at Golden Silents
- Florence Vidor at Virtual History
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This page was last edited on 11 May 2024, at 18:47