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From Wikipedia, the free encyclopedia

A Roman mosaic on a wall in the House of Neptune and Amphitrite, Herculaneum, Italy, 1st century AD

A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings,[1] on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic.

A large proportion of the surviving examples of wall mosaics come from Italian sites such as Pompeii and Herculaneum. Otherwise, floor mosaics are far more likely to have survived, with many coming from the fringes of the Roman Empire. The Bardo National Museum in Tunis has an especially large collection from large villas in modern Tunisia.[2]

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  • The Lod Mosaic: The Discovery of an Ancient Roman Mosaic
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Transcription

I was sent in 1996 to undertake a simple trial excavation, because the municipality of Lod wanted to widen the street. The first thing I found was a white corner of a mosaic floor. Then we found a tail of a tiger, and we saw immediately that it was of a marvelous quality. After two months, I had the whole mosaic floor. We are working on the conservation of the Lod mosaic. At the beginning, we didn’t want to move the mosaic from this place, but when we decided to build a museum there and to excavate more, it was wiser to take out the mosaic to have the space to dig and to build properly. In this time we are proceeding to the lifting of the mosaic. Now, first of all comes the careful cleaning. Second is the very precise documentation and the decision of how to cut the mosaic without disturbing the composition, because the lifting is a very tricky process and is a key moment in the conservation. Not many mosaics have this quality and this level of integrity, and the mosaic has not been touched. In this moment we are proceeding with the gluing of the mosaic with cotton fabric. After that comes the cutting of the mosaic from the bedding. We are dividing the mosaic into the minimum possible fragments. The detachment is a very important part of the conservation process and needs a lot of professional skills, experience, and power. From this moment depends everything: the future conservation and the future success of the restoration. We have in our hands all the history of building of this mosaic, and we discovered step by step how the mosaic was done, who did the mosaic. We have the footprints of the people walking on the mosaic to lay on the tessera. With these footprints, we have the connection in time between the people working on this mosaic and us working again to conserve the mosaic and to transfer the mosaic in the future. The mosaic will be transferred to wooden platforms to transport the fragments to our laboratories in Jerusalem for further conservation and construction of new supports. The conservation process will take two years, and the building of the museum a little bit more. The first place to display the mosaic will be the Metropolitan Museum in New York.

Development

A Roman mosaic inscribed with the Latin phrase cave canem ("beware of the dog"), from the House of the Tragic Poet in Pompeii, Italy, 2nd century BC
Mosaic with Xenia, 4th century AD, Pius Clementine museum, Vatican Museums

Perhaps the earliest examples of Greco-Roman mosaic floors date to the late Republican period (2nd century BC) and are from Delos, Greece. Witts claims that tessellated pavements, using tesserae, were used in Europe from the late fifth to early fourth centuries BC.[3] This is contradicted by Ruth Westgate, who contends that the earliest tessellated mosaics of the Hellenistic period date to the 3rd century BC, with the 2nd to early 1st-century BC mosaics of Delos constituting roughly half of the known examples.[4] Hetty Joyce and Katherine M. D. Dunbabin concur with this assessment, asserting that the transition from pebble mosaics to more complex tessellated mosaics originated in Hellenistic-Greek Sicily during the 3rd century BC, developed at sites such as Morgantina and Syracuse.[5][6] The earliest known pebble mosaics and use of chip pavement are found at Olynthus in Greece's Chalcidice, dated to the 5th to 4th centuries BC, while other examples can be found at Pella, capital of Macedon, dated to the 4th century BC.[7][6]

The earliest mosaics of Roman Pompeii, dated to the Pompeian First Style of wall painting in the late 2nd and early 1st centuries BC, were clearly derived from the Hellenistic Greek model.[8] However, they contained far more figured scenes on average, less abstract design, the absence of lead strips, as well as an almost complete lack of complex, three-dimensional scenes utilizing polychromy until the Pompeian Second Style of wall painting (80–20 BC).[9][8]

The mosaics in the Villa Romana del Casale (c. 300 AD) from Roman Sicily perhaps represent the hallmark of mosaic art in the Late Imperial period. The mosaic decoration of the local palace complex culminates in the gallery, which contains a scene of animal hunting and fighting covering an area of 3,200 square feet (300 m2).[10]

The Alexander Mosaic from Pompeii, ca. 100 BC

Technology

Mosaic of Eastern Roman emperor Justinian I, 6th century

Roman mosaics are constructed from geometrical blocks called tesserae,[11] placed together to create the shapes of figures, motifs and patterns.[3] Materials for tesserae were obtained from local sources of natural stone, with the additions of cut brick, tile and pottery creating coloured shades of, predominantly, blue, black, red, white and yellow.[3] Polychrome patterns were most common, but monochrome examples are known.[12] Marble and glass were occasionally used as tesserae,[13] as were small pebbles,[14] and precious metals like gold.[15]

Mosaic decoration was not just confined to floors but featured on walls and vaults as well. Traces of guidelines have been found beneath some mosaics, either scored into or painted onto the mortar bedding. The design might also be pegged out in string,[3] or mounted in a wooden frame.[16]

The collapse of buildings in antiquity can, paradoxically, both irrevocably destroy mosaics or protect and preserve them.[3]

Imagery

Achilles being adored by princesses of Skyros, a scene from the Iliad where Odysseus (Ulysses) discovers him dressed as a woman and hiding among the princesses at the royal court of Skyros. A late Roman mosaic from La Olmeda, Spain, 4th-5th centuries AD

Roman mosaics frequently depicted religious figures, theatrical scenes, mythological stories, geometric labyrinth patterns, and other decorative designs.[17][18][19]

Portraits

Imagery of famous individuals or entertaining scenes are common on Roman mosaics. The Alexander Mosaic from the House of the Faun, Pompeii depicts the Battle of Issus between Alexander the Great and Darius III.[20] In addition to famous people from antiquity, mosaics can depict aspects of daily life. The Gladiator Mosaic from Rome depicts a fighting scene, naming each gladiator involved. A gladiatorial scene is also known from Leptis Magna.[21]

Roman portrait mosaics, as well as Roman portraits in general, often depicted men and women with similar physical features or attire. This practice became especially commonplace during the Imperial Period and dates back to as early as 18 BC. There is evidence for this in a series of Denarii (Roman silver coins), which portray the goddess Virtus with recognizable Augustan features.[22]

Geometric Mosaics

One common type of Roman mosaics are geometric mosaics, which there is evidence for all across the Roman Empire. Geometric mosaics are often made up of intricate patterns in the style of mazes or labyrinths. There are 57 known floor mosaics in the style of labyrinths, and the majority of them are found in private homes or bathhouses. All 57 were catalogued in 1977 by German archaeologist, Wiktor Daszewski.[23] Scholar Rebecca Molholt discusses the reasoning behind why so many of the known maze mosaics were found in bathhouses. Maze mosaics were believed to have apotropaic powers and this is reflected in many mosaics which incorporate scenes of mythical creatures or stories. Furthermore, labyrinth mosaics were considered to be bearers of good luck for those who could successfully make their way through the maze. On their way to bathe, athletes likely would walk through these mazes on their way to bathe in preparation for competition. The experience of walking along the labyrinth pattern would have likely heightened the senses, as the participants would be acutely aware of their feet along the mosaic on the floor.[24]

Religion

One of the earliest examples of Early Christian art in mosaic is the early 4th-century floor mosaic from a villa at Hinton St Mary, Dorset, England, which shows Christ with a Chi-Rho behind his head. The mosaic is now in the British Museum.[10] Orpheus mosaics, which often include many animals drawn by the god's playing, are very common; he was also used in Early Christian art as a symbol for Christ. Scenes of Dionysus are another common subject.

As the Roman period merged into Late Antiquity, wall mosaics became the dominant form of art in grand churches, and the gold-ground style became usual. Italy has a high proportion of the surviving examples.

Emblems

Progression within the mosaic technique developed the emblem, the "heart" of all mosaics. The word emblem is used to describe a small mosaic featuring a little genre scene or still life, characterised by particularly thin tesserae made separately and mounted in a central or important position in the main panel.

Recent finds

2020

In May 2020, the discovery of a well-preserved Roman mosaic floor dating to the 3rd century AD buried underneath a vineyard at Negrar is reported after about a century of searching the site of a long-lost villa.[25][26][27]

2022

In October 2022, a 1,600-year-old intact Romain mosaic measuring 20 x 6 metres was found under a building in Al-Rastan, Syria. Al-Rastan, a city near Homs in Syria that was held by rebels until 2018. The building was being excavated by Syria's General Directorate of Antiquities and Museums, and was donated by the Lebanese Nabu Museum to the Syrian state. At the time of excavation, it was unclear whether the building which housed the mosaic was a public bathhouse or something else. The mosaic showed mythical scenes including portraying the Roman sea god Neptune and 40 of his mistresses, as well as Hercules slaying the Amazon queen Hippolyta.[28][29]

Notable examples

Gallery

See also

References

  1. ^ Bertoldi 2011.
  2. ^ knutson, chris (2007). "Fishing with Ulysses and Bacchus: Two Roman Mosaics from Tunisia". Gastronomica. 7 (4): 7–9. doi:10.1525/gfc.2007.7.4.7. ISSN 1529-3262.
  3. ^ a b c d e Witts 2005.
  4. ^ Westgate (2000), pp. 255–256.
  5. ^ Joyce (1979), p. 260.
  6. ^ a b Dunbabin (1979), p. 265.
  7. ^ Joyce (1979), pp. 259–260.
  8. ^ a b Westgate (2000), pp. 255–275.
  9. ^ Joyce (1979), pp. 253–254, 257–258.
  10. ^ a b "The Hinton St Mary Mosaic". British Museum. 2015. Retrieved 19 February 2015.
  11. ^ Dunbabin 1999, p. 280.
  12. ^ Packard 1980.
  13. ^ Ricciardi et al. 2009.
  14. ^ Donaldson 1965.
  15. ^ Neri & Verità 2013.
  16. ^ Oliver 2001.
  17. ^ "Physical Aspects of the Polytheistic Roman Style". Tufts University. 2005. Retrieved 13 March 2015.
  18. ^ Rawan, C. (11 March 2015). "Roman Mosaic Discoveries Made Through Time". Mozaico. Archived from the original on 28 September 2015. Retrieved 13 March 2015.
  19. ^ Dunbabin, Katherine M. D. (30 April 2014), "Mythology and Theatre in the Mosaics of the Graeco-Roman East", Using Images in Late Antiquity, Oxbow Books, pp. 227–252, doi:10.2307/j.ctvh1dwzx.16, retrieved 11 May 2022
  20. ^ Knox, E. L. Skip. "Alexander the Great - The Battle of Issus (334)". History of Western Civilization, Boise State University. Archived from the original on 25 March 2015. Retrieved 13 March 2015.
  21. ^ "Roman mosaic found in Libya". News24. 14 June 2005. Retrieved 21 February 2015.
  22. ^ Varner, Eric R. (2001). "Portraits, Plots, and Politics: "Damnatio memoriae" and the Images of Imperial Women". Memoirs of the American Academy in Rome. 46: 41–93. doi:10.2307/4238780. ISSN 0065-6801. JSTOR 4238780.
  23. ^ Phillips, Anthony (1992). "The Topology of Roman Mosaic Mazes". Leonardo. 25 (3/4): 321–329. doi:10.2307/1575858. ISSN 0024-094X. JSTOR 1575858. S2CID 192939467.
  24. ^ Molholt, Rebecca (September 2011). "Roman Labyrinth Mosaics and the Experience of Motion". The Art Bulletin. 93 (3): 287–303. doi:10.1080/00043079.2011.10786009. ISSN 0004-3079. S2CID 191483638.
  25. ^ "Ancient Roman mosaic floor discovered under vines in Italy". The Guardian. 27 May 2020. Retrieved 8 September 2020.
  26. ^ "Roman mosaic floor found under Italian vineyard". BBC News. 27 May 2020. Retrieved 8 September 2020.
  27. ^ "Perfectly preserved ancient Roman mosaic floor unearthed beneath Italian vineyard". www.cbsnews.com. 28 May 2020. Retrieved 8 September 2020.
  28. ^ "'Rare' Roman mosaic found in Rastan, Syria". BBC News. 13 October 2022. Retrieved 13 October 2022.
  29. ^ Aji, Albert (12 October 2022). "Syria digs up 'rare' Roman mosaic in former rebel stronghold". AP News. Retrieved 13 October 2022.

Sources

External links

This page was last edited on 21 March 2024, at 21:59
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